Seattle, WA | (832) 729-6633 | meverstijn@gmail.com | www.linkedin.com/in/marcos-everstijn http://marcoseverstijn.com/

SUMMARY

Experienced and innovative theatre professional with 25 years of experience designing, planning, building, and maintaining sets, contributing to 150+ shows with impeccable work ethic, skill, and a productive, positive attitude. Detail-oriented team leader adept at working in fast-paced, deadline-driven environments. Background and skill set includes: metal work, sewing, carpentry and construction, Aspire, Shopbot/CNC, vMix programming, safety standards, budgeting, stage operations, cross-functional collaboration, employee training and scheduling.

PROFESSIONAL EXPERIENCE

University of Washington Theatre Department, Seattle, WA

Stage Technician & Carpenter (Jan ‘19-Present)

● Loading-in, running, strike, and storage of all scenery for stage productions

● Assist with the hanging, circuiting, and focusing of stage lighting equipment to a designers specifications

● Construct scenery and instruct students in methods to translate scenic displays into working drawings and elements of stage scenery

● Conduct maintenance and adjustments of all stage equipment and on-stage lighting instruments in accordance with safety regulations

● Operate switchboards and sound equipment, instructing students on the operation

The Central District Forum for Arts and Ideas, Seattle, WA

Set Designer (Aug-Sep ‘19)

Randy Ford’s QUEEN STREET

● Met with show creator to develop concept and design for an original variety show

● Produced necessary materials and built, painted, and managed load-in / load-out of set

Intiman Theatre, Seattle, WA

Master Stage Carpenter (Jul-Sep ‘19)

● Organized and supervised crews for load-in/load-out and performance needs

● Acted as run crew when necessary

● Maintenance for all elements of the show in performance after opening

● Ongoing maintenance for all elements of the stage space, fly system, and other production elements in safe working order

Master Carpenter (Jun-Jul ‘19)

● ran fabrication, construction, and load-in of all scenic elements

● Oversaw over hire carpenters

● Organized scene shop and maintained a safe work environment

Alley Theatre, Houston, TX

Scenic Carpenter, (‘11-‘19)

● Built, installed, and maintained scenery and related items based on technical and design drawings, collaborating with scenic designers, scenic artists, and properties department;

● Used various methods and materials, including traditional scenic construction techniques, metal working and welding, framing through finish carpentry, rigging standards, and sewing and stretching of soft goods

● Reviewed and distributed drawings and paperwork specific to each production, identifying creative solutions to solve any problems or challenges

● Implemented safety guidelines in scenic shop and during construction, load-in, maintenance, and strikes

Set Designer, (‘15),

Oskar and the Curiously Colorful Clash

● Designed set and props for school touring show to fit in a cargo van with easy load in / load out by cast and stage manager

Main Street Theater, Houston, TX

Set Designer, (‘18),

Buyer and Cellar, Mr. Popper’s Penguins

● Play analysis, research, and concept

● Met with director and the rest of the artistic team

● Drafted all necessary ground plans and elevations

● Supervised construction process and the scenic artists

● Designed and assisted in selecting set pieces and props

● Attended technical rehearsals

Unity Theatre, Brenham, TX

Set Designer and Technical Director, (‘12-‘19)

The Chalk Garden (‘12), Nuncrackers (‘13), Forever Plaid: Plaid Tidings (‘14), Always Patsy Cline (‘15), A Grand Night for Singing (‘17), And Then There Were None (‘19)

● Managed design, budget, and overall engineering for theatre sets

● Hired, trained, and managed staff of carpenters, painters, and volunteers

● Ensured sets and props were produced on time and within budget

Steppenwolf Theatre Company, Chicago, IL

Scenic Carpenter, (‘03-‘11)

● Processed and executed technical director’s building plans

● Maintained scenic shop and company assets, including work areas and materials

● Loaded sets into trucks to deliver final product and move sets into theatre space

● Troubleshot engineering issues, offering recommendations to ensure designs worked within physical environment

Alley Theatre, Houston, TX

Stage Supervisor, (‘01-‘03) House Carpenter, (‘97-‘00)

● Managed stage operations for two theatres, including budgeting, strike, change over, and loading of sets and preparation of backstage areas for 11 show season

● Maintained mechanics and aesthetics of sets throughout run of each show

● Coordinated with actors and wardrobe personnel to ensure needs were met backstage

● Played key role in production meetings, technical rehearsals, and performances

● Planned, staged, and executed scene shifts with stage manager and director

● Hired, trained, and managed crew members, including creating schedules and approving time sheets

● Troubleshot and tracked issues throughout show, making appropriate adjustments

OTHER EXPERIENCE

Dada Theatre Company, Houston, TX | Artistic / Design Associate (‘01-‘03)

50FIFTY Floral Art, Naples, FL | Floral Designer / Event Coordinator (‘00-‘01)

Naples Dinner Theatre, Naples, FL | Resident Set Designer / Technical Director (‘00)

EDUCATION ‘93-‘95 San Jacinto College, Pasadena, TX | Major: Theatre Arts

REFERENCES

Jennfer Zeyl

Artistic Director

Intiman Theatre

201 Mercer St.

Seattle, WA 98109

jennifer@intiman.org

Brandon Weinbrenner

Associate Producer & Casting Director

Alley Theatre

615 Texas Ave.

Houston, TX 77002

brandonw@alleytheatre.org

Jimmy F. Phillips

Freelance Director

jimmyphi@sbcglobal.net

Kate Revnell-Smith

Artistic Director

Unity Theatre

300 Church St.

Brenham, TX 77833

kate@unitybrenham.org

Raymond Inkel

Director of Production

Alley Theatre

615 Texas Ave.

Houston, TX 77002

raymondi@alleytheatre.org